The guide showed us a coffee-colored piece of sculpture which he said was considered to have come from the hand of Phidias, since it was not possible that any other artist, of any epoch, could have copied nature with such faultless accuracy. The figure was that of a man without a skin;with every vein, artery, muscle, every fiber and tendon and tissue of the human frame represented in minute detail. It looked natural, because somehow it looked as if it were in pain. A skinned man would be likely to look that way unless his attention were occupied with some other matter. It was a hideous thing, and yet there was a fascination about it somewhere.
I am very sorry I saw it, because I shall always see it now. I shall dream of it sometimes. I shall dream that it is resting its corded arms on the bed's head and looking down on me with its dead eyes; I shall dream that it is stretched between the sheets with me and touching me with its exposed muscles and its stringy cold legs.
It is hard to forget repulsive things. I remember yet how I ran off from school once, when I was a boy, and then, pretty late at night, concluded to climb into the window of my father's office and sleep on a lounge, because I had a delicacy about going home and getting thrashed. As I lay on the lounge and my eyes grew accustomed to the darkness, I fancied I could see a long, dusky, shapeless thing stretched upon the floor. A cold shiver went through me. I turned my face to the wall. That did not answer. I was afraid that that thing would creep over and seize me in the dark. I turned back and stared at it for minutes and minutes--they seemed hours. It appeared to me that the lagging moonlight never, never would get to it. I turned to the wall and counted twenty, to pass the feverish time away. I looked--the pale square was nearer. I turned again and counted fifty--it was almost touching it. With desperate will I turned again and counted one hundred, and faced about, all in a tremble. A white human hand lay in the moonlight!
Such an awful sinking at the heart--such a sudden gasp for breath! I felt--Icannot tell what I felt. When I recovered strength enough, I faced the wall again. But no boy could have remained so with that mysterious hand behind him. I counted again and looked--the most of a naked arm was exposed. I put my hands over my eyes and counted till I could stand it no longer, and then--the pallid face of a man was there, with the corners of the mouth drawn down, and the eyes fixed and glassy in death! I raised to a sitting posture and glowered on that corpse till the light crept down the bare breastline by line--inch by inch--past the nipple--and then it disclosed a ghastly stab!
I went away from there. I do not say that I went away in any sort of a hurry, but I simply went--that is sufficient. I went out at the window, and I carried the sash along with me. I did not need the sash, but it was handier to take it than it was to leave it, and so I took it. I was not scared, but I was considerably agitated.
When I reached home, they whipped me, but I enjoyed it. It seemed perfectly delightful. That man had been stabbed near the office that afternoon, and they carried him in there to doctor him, but he only lived an hour. I have slept in the same room with him often since then--in my dreams.
Now we will descend into the crypt, under the grand altar of Milan Cathedral, and receive an impressive sermon from lips that have been silent and hands that have been gestureless for three hundred years.
The priest stopped in a small dungeon and held up his candle. This was the last resting place of a good man, a warmhearted, unselfish man; a man whose whole life was given to succoring the poor, encouraging the fainthearted, visiting the sick; in relieving distress whenever and wherever he found it. His heart, his hand, and his purse were always open. With his story in one's mind we can almost see his benignant countenance moving calmly among the haggard faces of Milan in the days when the plague swept the city, brave where all others were cowards, full of compassion where pity had been crushed out of all other breasts by the instinct of self-preservation gone mad with terror, cheering all, praying with all, helping all, with hand and brain and purse, at a time when parents forsook their children, the friend deserted the friend, and the brother turned away from the sister while her pleadings were still wailing in his ears.
This was good St. Charles Borromeo, Bishop of Milan. The people idolized him; princes lavished uncounted treasures upon him. We stood in his tomb.
Nearby was the sarcophagus, lighted by the dripping candles. The walls were faced with bas-reliefs representing scenes in his life done in massive silver. The priest put on a short white lace garment over his black robe, crossed himself, bowed reverently, and began to turn a windlass slowly.
The sarcophagus separated in two parts, lengthwise, and the lower part sank down and disclosed a coffin of rock crystal as clear as the atmosphere.