BLANCHE stepped lightly into the room, through one of the open French windows.
"What are you doing here?" she said to Arnold.
"Nothing. I was just going to look for you in the garden."
"The garden is insufferable, this morning." Saying those words, she fanned herself with her handkerchief, and noticed Geoffrey's presence in the room with a look of very thinly-concealed annoyance at the discovery. "Wait till I am married!" she thought. "Mr. Delamayn will be cleverer than I take him to be, if he gets much of his friend's company _then!_"
"A trifle too hot--eh?" said Geoffrey, seeing her eyes fixed on him, and supposing that he was expected to say something.
Having performed that duty he walked away without waiting for a reply; and seated himself with his letter, at one of the writing-tables in the library.
"Sir Patrick is quite right about the young men of the present day," said Blanche, turning to Arnold. "Here is this one asks me a question, and doesn't wait for an answer. There are three more of them, out in the garden, who have been talking of nothing, for the last hour, but the pedigrees of horses and the muscles of men. When we are married, Arnold, don't present any of your male friends to me, unless they have turned fifty. What shall we do till luncheon-time? It's cool and quiet in here among the books.
I want a mild excitement--and I have got absolutely nothing to do. Suppose you read me some poetry?"
"While _he_ is here?" asked Arnold, pointing to the personified antithesis of poetry--otherwise to Geoffrey, seated with his back to them at the farther end of the library.
"Pooh!" said Blanche. "There's only an animal in the room. We needn't mind _him!_"
"I say!" exclaimed Arnold. "You're as bitter, this morning, as Sir Patrick himself. What will you say to Me when we are married if you talk in that way of my friend?"
Blanche stole her hand into Arnold's hand and gave it a little significant squeeze. "I shall always be nice to _you,_" she whispered--with a look that contained a host of pretty promises in itself. Arnold returned the look (Geoffrey was unquestionably in the way!). Their eyes met tenderly (why couldn't the great awkward brute write his letters somewhere else?). With a faint little sigh, Blanche dropped resignedly into one of the comfortable arm-chairs--and asked once more for "some poetry," in a voice that faltered softly, and with a color that was brighter than usual.
"Whose poetry am I to read?" inquired Arnold.
"Any body's," said Blanche. "This is another of my impulses. I am dying for some poetry. I don't know whose poetry. And I don't know why."
Arnold went straight to the nearest book-shelf, and took down the first volume that his hand lighted on--a solid quarto, bound in sober brown.
"Well?" asked Blanche. "What have you found?"
Arnold opened the volume, and conscientiously read the title exactly as it stood:
"Paradise Lost. A Poem. By John Milton."
"I have never read Milton," said Blanche. "Have you?"
"No."
"Another instance of sympathy between us. No educated person ought to be ignorant of Milton. Let us be educated persons.
Please begin."
"At the beginning?"
"Of course! Stop! You musn't sit all that way off--you must sit where I can look at you. My attention wanders if I don't look at people while they read."
Arnold took a stool at Blanche's feet, and opened the "First Book" of Paradise Lost. His "system" as a reader of blank verse was simplicity itself. In poetry we are some of us (as many living poets can testify) all for sound; and some of us (as few living poets can testify) all for sense. Arnold was for sound. He ended every line inexorably with a full stop; and he got on to his full stop as fast as the inevitable impediment of the words would let him. He began:
"Of Man's first disobedience and the fruit.
Of that forbidden tree whose mortal taste.
Brought death into the world and all our woe.
With loss of Eden till one greater Man.
Restore us and regain the blissful seat.
Sing heavenly Muse--"
"Beautiful!" said Blanche. "What a shame it seems to have had Milton all this time in the library and never to have read him yet! We will have Mornings with Milton, Arnold. He seems long; but we are both young, and we _may_ live to get to the end of him. Do you know dear, now I look at you again, you don't seem to have come back to Windygates in good spirits."
"Don't I? I can't account for it."
"I can. It's sympathy with Me. I am out of spirits too."
"You!"
"Yes. After what I saw at Craig Fernie, I grow more and more uneasy about Anne. You will understand that, I am sure, after what I told you this morning?"
Arnold looked back, in a violent hurry, from Blanche to Milton.
That renewed reference to events at Craig Fernie was a renewed reproach to him for his conduct at the inn. He attempted to silence her by pointing to Geoffrey.
"Don't forget," he whispered, "that there is somebody in the room besides ourselves."
Blanche shrugged her shoulders contemptuously.
"What does _he_ matter?" she asked. "What does _he_ know or care about Anne?"
There was only one other chance of diverting her from the delicate subject. Arnold went on reading headlong, two lines in advance of the place at which he had left off, with more sound and less sense than ever:
"In the beginning how the heavens and earth.
Rose out of Chaos or if Sion hill--"
At "Sion hill," Blanche interrupted him again.
"Do wait a little, Arnold. I can't have Milton crammed down my throat in that way. Besides I had something to say. Did I tell you that I consulted my uncle about Anne? I don't think I did. I caught him alone in this very room. I told him all I have told you. I showed him Anne's letter. And I said, 'What do you think?'