I observed that in all places we passed through we filled the people we met with lamentations and tears by the mere solemn pomp of our convoy, for the name of the defunct was not there so much as known. Quintilian reports as to have seen comedians so deeply engaged in a mourning part, that they still wept in the retiring room, and who, having taken upon them to stir up passion in another, have themselves espoused it to that degree as to find themselves infected with it, not only to tears, but, moreover, with pallor and the comportment of men really overwhelmed with grief.
In a country near our mountains the women play Priest Martin, for as they augment the regret of the deceased husband by the remembrance of the good and agreeable qualities he possessed, they also at the same time make a register of and publish his imperfections; as if of themselves to enter into some composition, and divert themselves from compassion to disdain.
Yet with much better grace than we, who, when we lose an acquaintance, strive to give him new and false praises, and to make him quite another thing when we have lost sight of him than he appeared to us when we did see him; as if regret were an instructive thing, or as if tears, by washing our understandings, cleared them. For my part, I henceforth renounce all favourable testimonies men would give of me, not because I shall be worthy of them, but because I shall be dead.
Whoever shall ask a man, "What interest have you in this siege?"--"The interest of example," he will say, "and of the common obedience to my prince: I pretend to no profit by it; and for glory, I know how small a part can affect a private man such as I: I have here neither passion nor quarrel." And yet you shall see him the next day quite another man, chafing and red with fury, ranged in battle for the assault; 'tis the glittering of so much steel, the fire and noise of our cannon and drums, that have infused this new rigidity and fury into his veins. A frivolous cause, you will say. How a cause? There needs none to agitate the mind; a mere whimsy without body and without subject will rule and agitate it.
Let me thing of building castles in Spain, my imagination suggests to me conveniences and pleasures with which my soul is really tickled and pleased. How often do we torment our mind with anger or sorrow by such shadows, and engage ourselves in fantastic passions that impair both soul and body? What astonished, fleeting, confused grimaces does this raving put our faces into! what sallies and agitations both of members and voices does it inspire us with! Does it not seem that this individual man has false visions amid the crowd of others with whom he has to do, or that he is possessed with some internal demon that persecutes him?
Inquire of yourself where is the object of this mutation? is there anything but us in nature which inanity sustains, over which it has power? Cambyses, from having dreamt that his brother should be one day king of Persia, put him to death: a beloved brother, and one in whom he had always confided. Aristodemus, king of the Messenians, killed himself out of a fancy of ill omen, from I know not what howling of his dogs; and King Midas did as much upon the account of some foolish dream he had dreamed. 'Tis to prize life at its just value, to abandon it for a dream. And yet hear the soul triumph over the miseries and weakness of the body, and that it is exposed to all attacks and alterations; truly, it has reason so to speak!
"O prima infelix finger ti terra Prometheo!
Ille parum cauti pectoris egit opus Corpora disponens, mentem non vidit in arte;
Recta animi primum debuit esse via."
["O wretched clay, first formed by Prometheus. In his attempt, what little wisdom did he shew! In framing bodies, he did not apply his art to form the mind, which should have been his first care."--Propertius, iii. 5, 7.]