11. Simple ideas, why undefinable, further explained. Simple ideas, as has been shown, are only to be got by those impressions objects themselves make on our minds, by the proper inlets appointed to each sort. If they are not received this way, all the words in the world, made use of to explain or define any of their names, will never be able to produce in us the idea it stands for. For, words being sounds, can produce in us no other ****** ideas than of those very sounds; nor excite any in us, but by that voluntary connexion which is known to be between them and those ****** ideas which common use has made them the signs of. He that thinks otherwise, let him try if any words can give him the taste of a pine-apple, and make him have the true idea of the relish of that celebrated delicious fruit. So far as he is told it has a resemblance with any tastes whereof he has the ideas already in his memory, imprinted there by sensible objects, not strangers to his palate, so far may he approach that resemblance in his mind. But this is not giving us that idea by a definition, but exciting in us other ****** ideas by their known names; which will be still very different from the true taste of that fruit itself. In light and colours, and all other ****** ideas, it is the same thing: for the signification of sounds is not natural, but only imposed and arbitrary. And no definition of light or redness is more fitted or able to produce either of those ideas in us, than the sound light or red, by itself. For, to hope to produce an idea of light or colour by a sound, however formed, is to expect that sounds should be visible, or colours audible; and to make the ears do the office of all the other senses. Which is all one as to say, that we might taste, smell, and see by the ears: a sort of philosophy worthy only of Sancho Panza, who had the faculty to see Dulcinea by hearsay. And therefore he that has not before received into his mind, by the proper inlet, the ****** idea which any word stands for, can never come to know the signification of that word by any other words or sounds whatsoever, put together according to any rules of definition. The only way is, by applying to his senses the proper object; and so producing that idea in him, for which he has learned the name already. A studious blind man, who had mightily beat his head about visible objects, and made use of the explication of his books and friends, to understand those names of light and colours which often came in his way, bragged one day, That he now understood what scarlet signified. Upon which, his friend demanding what scarlet was? The blind man answered, It was like the sound of a trumpet. Just such an understanding of the name of any other ****** idea will he have, who hopes to get it only from a definition, or other words made use of to explain it.
12. The contrary shown in complex ideas, by instances of a statue and rainbow. The case is quite otherwise in complex ideas; which, consisting of several ****** ones, it is in the power of words, standing for the several ideas that make that composition, to imprint complex ideas in the mind which were never there before, and so make their names be understood. In such collections of ideas, passing under one name, definition, or the teaching the signification of one word by several others, has place, and may make us understand the names of things which never came within the reach of our senses; and frame ideas suitable to those in other men's minds, when they use those names: provided that none of the terms of the definition stand for any such ****** ideas, which he to whom the explication is made has never yet had in his thought. Thus the word statue may be explained to a blind man by other words, when picture cannot; his senses having given him the idea of figure, but not of colours, which therefore words cannot excite in him. This gained the prize to the painter against the statuary: each of which contending for the excellency of his art, and the statuary bragging that his was to be preferred, because it reached further, and even those who had lost their eyes could yet perceive the excellency of it. The painter agreed to refer himself to the judgment of a blind man; who being brought where there was a statue made by the one, and a picture drawn by the other; he was first led to the statue, in which he traced with his hands all the lineaments of the face and body, and with great admiration applauded the skill of the workman. But being led to the picture, and having his hands laid upon it, was told, that now he touched the head, and then the forehead, eyes, nose, &c., as his hand moved over the parts of the picture on the cloth, without finding any the least distinction: whereupon he cried out, that certainly that must needs be a very admirable and divine piece of workmanship, which could represent to them all those parts, where he could neither feel nor perceive anything.
13. Colours indefinable to the born-blind. He that should use the word rainbow to one who knew all those colours, but yet had never seen that phenomenon, would, by enumerating the figure, largeness, position, and order of the colours, so well define that word that it might be perfectly understood. But yet that definition, how exact and perfect soever, would never make a blind man understand it;because several of the ****** ideas that make that complex one, being such as he never received by sensation and experience, no words are able to excite them in his mind.