It was all so dreary and all so much the same that even Digory was thinking they had better put on their yellow rings and get back to the warm， green， living forest of the In.between place， when they came to two huge doors of some metal that might possibly be gold. One stood a little ajar. So of course they went to look in. Both started back and drew a long breath： for here at last was something worth seeing.
For a second they thought the room was full of people.hundreds of people， all seated， and all perfectly still. Polly and Digory， as you may guess， stood perfectly still themselves for a good long time， looking in. But presently they decided that what they were looking at could not be real people. There was not a movement nor the sound of a breath among them all. They were like the most wonderful waxworks you ever saw.
This time Polly took the lead. There was something in this room which interested her more than it interested Digory： all the figures were wearing magnificent clothes. If you were interested in clothes at all， you could hardly help going in to see them closer. And the blaze of their colours made this room look， not exactly cheerful， but at any rate rich and majestic after all the dust and emptiness of the others. It had more windows， too， and was a good deal lighter.
I can hardly describe the clothes. The figures were all robed and had crowns on their heads. Their robes were of crimson and silvery grey and deep purple and vivid green： and there were patterns， and pictures of flowers and strange beasts， in needlework all over them.
Precious stones of astonishing size and brightness stared from their crowns and hung in chains round their necks and peeped out from all the places where anything was fastened.
“Why haven’t these clothes all rotted away long ago？” asked Polly. “Magic，” whispered Digory. “Can‘t you feel it？ I bet this whole room is just stiff with enchantments. I could feel it the moment we came in.”
“Any one of these dresses would cost hundreds of pounds，” said Polly.
But Digory was more interested in the faces， and indeed these were well worth looking at. The people sat in their stone chairs on each side of the room and the floor was left free down the middle. You could walk down and look at the faces in turn.
“They were nice people， I think，” said Digory.
Polly nodded. All the faces they could see were certainly nice. Both the men and women looked kind and wise， and they seemed to come of a handsome race. But after the children had gone a few steps down the room they came to faces that looked a little different. These were very solemn faces. You felt you would have to mind your P’s and Q‘s， if you ever met living people who looked like that. When they had gone a little further， they found themselves among faces they didn’t like： this was about the middle of the room. The faces here looked very strong and proud and happy， but they looked cruel. A little further on they looked crueller. Further on again， they were still cruel but they no longer looked happy. They were even despairing faces： as if the people they belonged to had done dreadful things and also suffered dreadful things. The last figure of all was the most interesting.a woman even more richly dressed than the others， very tall （but every figure in that room was taller than the people of our world）， with a look of such fierceness and pride that it took your breath away. Yet she was beautiful too. Years afterwards when he was an old man， Digory said he had never in all his life known a woman so beautiful. It is only fair to add that Polly always said she couldn‘t see anything specially beautiful about her.
This woman， as I said， was the last： but there were plenty of empty chairs beyond her， as if the room had been intended for a much larger collection of images.
“I do wish we knew the story that’s behind all this，” said Digory. “Let‘s go back and look at that table sort of thing in the middle of the room.”
The thing in the middle of the room was not exactly a table. It was a square pillar about four feet high and on it there rose a little golden arch from which there hung a little golden bell； and beside this there lay a little golden hammer to hit the bell with.
“I wonder... I wonder... I wonder...” said Digory.
“There seems to be something written here，” said Polly， stooping down and looking at the side of the pillar.
“By gum， so there is，” said Digory. “But of course we shan’t be able to read it.”
“Shan‘t we？ I’m not so sure，” said Polly.
They both looked at it hard and， as you might have expected， the letters cut in the stone were strange. But now a great wonder happened： for， as they looked， though the shape of the strange letters never altered， they found that they could understand them. If only Digory had remembered what he himself had said a few minutes ago， that this was an enchanted room， he might have guessed that the enchantment was beginning to work. But he was too wild with curiosity to think about that. He was longing more and more to know what was written on the pillar. And very soon they both knew. What it said was something like this.at least this is the sense of it though the poetry， when you read it there， was better：
Make your choice， adventurous Stranger； Strike the bell and bide the danger，
Or wonder， till it drives you mad， What would have followed if you had.
“No fear！” said Polly. “We don‘t want any danger.”
“Oh， but don’t you see it‘s no good？” said Digory. “We can’t get out of it now. We shall always be wondering what else would have happened if we had struck the bell. I‘m not going home to be driven mad by always thinking of that. No fear！”
“Don’t be so silly，” said Polly. “As if anyone would！ What does it matter what would have happened？”
“I expect anyone who‘s come as far as this is bound to go on wondering till it sends him dotty. That’s the Magic of it， you see. I can feel it beginning to work on me already.”
“Well， I don‘t，” said Polly crossly. “And I don’t believe you do either. You‘re just putting it on.”